»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
»Don’t base it on hope, base it on technique«
Hedwig Fassbender regularly gives masterclasses in conservatories, summer academies, and opera studios across Europe – including in her own program, »exzellenz labor oper«.
April 8 – 12 : „the next step“ – Retreat for Singers over 35
Finally a masterclass for singers who have already been in the job for some years!
No listeners and no stress with a final concert!
August 29 – September 8 : exzellenz labor oper
Center of the course is the work on musical style of German Repertoire, Mozart/Barock, Italian and French Belcanto with four internationally acclaimed instructors (Hedwig Fassbender, Fausto Nardi, Enrico Maria Cacciari, René Massis), and we also focus on Audition training with Mathias Hermann, Mental training with Allison Cook, Feldenkrais with Rebecca Meitlis, advice in clothing and make-up with Amélie Sator and Nadja Dalheimer.
For Master-Students in their last year, members of Operastudios and Singers in their first professional years
April 8 – 12:
“ exzellenz labor plus – the next step“ – Retreat for Singers over 35
Finally, a masterclass for singers who have already been in the job for some years!
No listeners, no stress, no final concert!
Technique – Repertoire – Presentation – Voice Release Massage
August 28 – September 8 exzellenz labor oper
The perfect course for singers and pianists in the opera field who are already rather successful but want to join our team of highly professional specialists in order to get this „finishing touch“ which, in the end, makes the decisive difference. This year also in Schloss Engers.
Retreat Singers 35+ – 27. April-1. Mai 2025, Landesmusikakademie Schloss Engers
(Hedwig Fassbender, René Massis, Björn Huestege, Luise Breyer-Aiton)
exzellenz labor lied – 16.- 25. Juli 2025, Académie Villecroze, Frankreich
(Hedwig Fassbender, Anne LeBozec, Götz Payer, Mathias Hermann)
exzellenz labor oper – 24. August – 3. September 2025, Musikakademie Schloss Weikersheim
(Hedwig Fassbender, René Massis, Fausto Nardi, Enrico Maria Cacciari, Mathias Hermann, Allison Cook, Rebecca Meitlis, Amélie Sator, Nadja Dahlheimer)
Among other things, the challenge for young singers and pianists in opera studios is to intelligently and confidently integrate the input of various guest instructors into their own singing and playing. I am fortunate to be able to work regularly with the young singers and pianists of several opera studios, thereby ensuring a certain degree of continuity.
The technical foundations of my teaching are flexible, flowing breath, a slender method of vocalization, and a sensible employment of the resonance cavities.
The goal is to have created a stable technical framework for complete „artistic permeability,“ which will allow the singer to be free in their artistic and musical interpretations, and for them to enjoy a healthy and long-term pursuit of our highly demanding profession.
Hedwig Fassbender regularly gives masterclasses in conservatories, summer academies, and opera studios across Europe – including in her own program, »exzellenz labor oper«.
April 8 – 12 : „the next step“ – Retreat for Singers over 35
Finally a masterclass for singers who have already been in the job for some years!
No listeners and no stress with a final concert!
August 29 – September 8 : exzellenz labor oper
Center of the course is the work on musical style of German Repertoire, Mozart/Barock, Italian and French Belcanto with four internationally acclaimed instructors (Hedwig Fassbender, Fausto Nardi, Enrico Maria Cacciari, René Massis), and we also focus on Audition training with Mathias Hermann, Mental training with Allison Cook, Feldenkrais with Rebecca Meitlis, advice in clothing and make-up with Amélie Sator and Nadja Dalheimer.
For Master-Students in their last year, members of Operastudios and Singers in their first professional years
Private lessons are possible in Frankfurt and/or Paris. The technical foundation of my teaching are flexible, flowing breath, a slender method of vocalization, and a sensible employment of the resonance cavities.
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
»Clear thoughts, clear action«
„Dein Coaching hat mir komplett den Rücken gestärkt, und ich fühle mich seitdem wie erlöst.“
Today, as a systemic coach, it is my goal to help artists achieve more professional and personal clarity. I would gladly support you in each of these areas and accompany you the entire way.
Nowadays, in order to be a competitive competitive candidate for a professorship, one must have a wealth of insider knowledge, demonstrate excellent teaching ability, offer solid pedagogical concept work, and speak eloquently in the interview process. I would gladly support you in each of these areas and accompany you then entire way.
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»…with spirits light and grasp light-fingered,…
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
»… mit leichtem Herz und leichten Händen …«
Die neue Spielzeiz begann mit der 11. Ausgabe von exzellenz labor oper. Dann war/bin ich Jurymitglied in der Compétition Kattenburg der HEMU Lausanne und gebe workshops an den Studios der Staatsoper Berlin und der Oper Zürich.
The season started with the 11th edition of exzellenz labor oper. Then, I have been in the jury of the Kattenburg Competition of the HEMU Lausanne and give workshops for the Studios at Staatsoper Berlin and Opernhaus Zürich.
*This blog is bi-lingual, depending of the theme